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Fast Lane

by The Tilt

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about

Dedicated to our "modern" era, where all we live a life similar of driving fast on a highway avoiding others by using that passing lane.

It seems like we got into this loop of always craving for abundance in all , competing while not having enough time to enjoy it properly - because we have to keep moving on.

Slow down a bit and feel alive for a change - just like people did in the 80's.

lyrics

Can you see
All the fates and hopes forgotten

Can you see
Something’s wrong with this highway
Can you feel
It is going to nowhere
But no one left to steer

The game is on
Abandoning the faded dawn
And it’s gone
Irreversibly forgotten
Always more
Shifting to improve the score
As we keep on
Moving through the fast lane

Can you see
All the fates and hopes forgotten?
Can you feel
Golden dreams of pure madness
They can’t be synthesized

The game is on
Abandoning the faded dawn
And it’s gone
Irreversibly forgotten
Always more
Shifting to improve the score
As we keep on
Moving through the fast lane

They will tell what to think
Tell you how to speak
Show you how to become free

Always there for more
Transcending our souls
Moving through the fast lane

The game is on
Abandoning the faded dawn
And it’s gone
Irreversibly forgotten
Always more
Shifting to improve the score
As we keep on
Moving through the fast lane

Can you see
Can you see
Can you feel
Can you feel
Can you see
Can you see
As we keep on
Moving through the fast lane

credits

released March 18, 2021
Song performed by:
Nikola Antonijević - vocals
Jovana Repović - vocals
Vladimir Djedović - keyboards, programming & vocoder
Mladen Pecović - guitars

vocals recorded at Stambolija Studio
mixed and mastered by Milan SEVDAHBABY Stanković

license

all rights reserved

tags

about

The Tilt Belgrade, Serbia

Vocal retrowave band from Belgrade, Serbia by Vladimir Djedovic.

Heavily influenced with 80's rock and pop music, packed with delicious synths, guitar hero leads done by Mladen Pecović and various stunning guests male and female vocals. ... more

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